Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been /5(16). Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for /5(3). Adrian Johns Piracy: The Intellectual Property Wars from Gutenberg to Gates ©, pages, 40 halftones Cloth $ ISBN: Also available as an e-book. For information on purchasing the book—from bookstores or here online—please go to the webpage for Piracy.
Piracy: The Intellectual Property Wars from Gutenberg to Gates. Article. Oct Media Hist. Adrian Johns. Since the rise of Napster and other file sharing services in its wake, most of us have. Johns' great gift is his ability to present the historical context of the piracy of intellectual property and he offers a sweeping narrative that's full of really interesting tidbits. Ultimately, Johns positions today's piracy of digital media within the context of a never-ending struggle between commerce and creativity. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first.
Piracy: The Intellectual Property Wars from Gutenberg to Gates. Article PDF Available. ADRIAN JOHNS. Piracy: The Intellectual Property Wars from Gutenberg to Gates. April The American. The book Piracy: The Intellectual Property Wars from Gutenberg to Gates, Adrian Johns is published by University of Chicago Press. Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as.
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